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The bitter irony of it all is not lost on the actress.
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A co-starring role opposite Dabney Coleman on TV’s “Buffalo Bill,” a 1983 failed sitcom, brought Cassidy an Emmy nomination, but lost to Jane Curtin for “Kate & Allie.” In the most recent, and probably ultimate indignity, she lost the part of Char-lie Sheen’s mother on “Two and a Half Men” to the wildly overrated Holland Taylor. Kennerd Kobrin, had a small part in Harrison Ford’s 1982 sci-fi film “Blade Runner” and won raves, a year later, for her lead role opposite Nick Nolte and Gene Hackman in “Under Fire.” She worked with the hottest directors of the day – Ridley Scott, Bob Rafelson, Roger Spottiswoode – but movie stardom was always just out of reach. Cassidy, who has two grown children from her marriage to Dr. Selznick, who had already discovered Candice Bergen, accepted the call from Cassidy, who had no agent at the time, and eventually gave her a part in “The Laughing Policeman,” a 1973 thriller starring Bruce Dern and Walter Matthau. She was a statuesque sculptor straight out of art school who was in Los Angeles doing some modeling for Nina Blanchard when she was told to call Joyce Selznick about a part in a movie. Like many working actors, Cassidy has seesawed between acclaim and neglect. Indeed, she is savoring a long-awaited moment. Five years later, she was still on the show letting scathing remarks fall from her lips like so many shiny knives. On “Six Feet Under,” she was signed to do two episodes, in 2001. The “Boston Legal” role, originally scheduled as a three-episode arc, has been extended to six. Once producers – and audiences – get an inkling of how Joanna Cassidy can shake things up, they don’t want to let her go. I think Denny sees as a challenge.”ĭoes she get the upper hand with Shatner? “Oh yes,” says Cassidy, with mischievous glee. “She meets him at the bar at a hotel,” Cassidy says in a voice whose intimate, whispery tone suggests the imminent disclosure of many delicious secrets. Cassidy, 60, has bounced back to play Beverly Bridge, a furniture store owner, who becomes the girlfriend of Denny Crane (William Shatner), the puckish attorney who can’t be trusted, especially around colleagues’ wives, on “Boston Legal.” The pharmaceutical world’s loss is television’s gain. “I said, ‘Three quarters of the women in this town have been in rehab.
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“They said, ‘That character is an alcoholic,'” she says. So convincing was Cassidy that she lost out a commercial for a sleep-aid. But when you watch her steal scene after scene, as she did so memorably as Margaret Cheno-with, the twisted shrink she played to perfection on “Six Feet Under,” you can see why actors, not to mention ordinary humans, would be nervous in her company. It’s hard to see why Cassidy, a durably glamorous actress with the kind of legs that were made for alighting from limousines, would see herself as intimidating. Brown had become so associated with, in the song “Wake Up And Give Yourself A Chance To Live.”īuy or stream “Bodyheat” on the album of the same name.I THINK I scare people,” says Joanna Cassidy. The Bodyheat album contained one more R&B Top 40 entry, “Kiss In ’77,” and among its other new material, included the Godfather’s pleasing, uptempo version of Burt Bacharach and Hal David’s mid-1960s easy listening pop classic, “What The World Needs Now Is Love.” There was also at least one new example of the type of aspirational, social-conscience lyric that Mr. Listen to the best of James Brown on Apple Music and Spotify. The “Bodyheat” single made the Top 40 in the UK where, despite widespread respect for his preeminence as a soul and dance pioneer, his chart presence had always been surprisingly meagre: it was only his seventh single to make the bestsellers there at all. The late 1976 hit, on Polydor, came from an album also called Bodyheat, which followed in December and became his 42nd to reach the R&B LP listing, with a No.